The NothingProjector Matte White Motorized Floor-Rising Screen is aimed at buyers who want a retractable, furniture-level screen without committing to a permanent wall frame. The unusual part is not just the motorized chassis: this version uses a matte-white PVC surface with a listed 1.3 peak gain and is marketed for long-throw, short-throw and ultra-short-throw projectors.
That makes it materially different from many floor-rising UST screens, which use darker lenticular ALR/CLR materials and are designed around a tabletop UST projector. The NothingProjector model is therefore best judged as a flexible, controlled-light-room screen—not as a direct substitute for every ALR screen.
Key specifications
| Screen sizes | 100″ and 120″ |
|---|---|
| Surface | Matte-white PVC |
| Peak gain | 1.3 (merchant-published) |
| Viewing angle | 170° (merchant-published) |
| Resolution support | Merchant lists up to 4K / 8K |
| Projector compatibility | Long throw / short throw / ultra short throw |
| Structure | Motorized floor-rising, tab-tensioned; merchant lists “up to 97%” surface flatness |
| Controls | Wireless remote, voice control, USB trigger synchronization, position memory |
| Voice assistants | Amazon Alexa and Google Assistant listed |
| Chassis | Merchant describes 90%+ aluminum body and sealed casing |
What the 1.3 gain actually changes
Gain describes how strongly a screen reflects light toward the viewing direction relative to a reference surface. A published 1.3 peak gain means this matte-white material is positioned to return more light than a 1.0 reference screen. In a controlled-light room, that can support a punchier image—particularly useful when the screen is large or the projector is not exceptionally bright.
The tradeoff is that a higher-gain white surface is not the same technology as an ALR/CLR screen. It does not selectively reject overhead or side light in the way a structured UST ALR material is intended to. If daytime viewing with lights on is a major requirement, read our matte white vs ALR guide before treating 1.3 gain as a blanket advantage.
Why the floor-rising format matters
A floor-rising screen can disappear into a low-profile case when not in use. That is useful in multipurpose rooms, in front of windows or art, and anywhere a fixed frame would dominate the wall. The screen rises vertically rather than dropping from the ceiling, which can simplify installation in rooms where ceiling mounting is undesirable.
For UST projection, the main technical issue is surface geometry. UST light hits the screen from a steep angle, so waves and ripples can show up as geometry distortion. The merchant describes this model as tab-tensioned and lists up to 97% flatness. We have not independently measured that claim, so buyers using a UST projector should still take alignment seriously and inspect the surface during the return period.
Automation and everyday use
The product listing includes wireless remote control, Amazon Alexa and Google Assistant compatibility, USB-trigger synchronization and position memory. Those features matter more on a retractable screen than they would on a fixed frame because the screen becomes part of the power-on/power-off routine.
A USB trigger can be especially convenient if the screen can rise when the projector turns on and retract when the projector turns off. Voice control is a secondary convenience, while position memory can help if the chassis sits on furniture of a nonstandard height.
Where this screen looks strongest on paper
- Controlled-light rooms: the matte-white surface avoids the directional optical behavior of many UST ALR materials.
- Mixed projector setups: the merchant lists long, short and ultra-short throw compatibility, which is broader than UST-only ALR rivals.
- Multipurpose spaces: the floor-rising case retracts when the room needs to look like a normal living space.
- Buyers prioritizing brightness: the listed 1.3 gain is higher than the 0.5–0.6 gain numbers common on several UST ALR/CLR competitors.
Where you should keep comparing
- Bright rooms: if you regularly watch with strong ceiling or window light, compare purpose-built ALR/CLR screens.
- UST-only installations: a dedicated lenticular UST ALR screen can be the more targeted solution when ambient-light rejection is the first priority.
- Permanent theater rooms: a fixed frame may be simpler, mechanically quieter over the long term and less expensive for an equivalent surface.
Screen Signal take
The NothingProjector matte-white floor-rising screen occupies a useful middle ground: retractable convenience plus broad projector compatibility, with a high-gain white surface rather than UST-specific ALR optics. Its core decision is therefore room light vs brightness/versatility. If your room can be dimmed and you want a screen that works across projector types, its spec sheet is compelling. If you need aggressive ambient-light rejection, compare the VIVIDSTORM, Elite Screens and WEMAX ALR/CLR options first.
Considering the NothingProjector matte-white floor-rising screen?
Check the merchant page for current size availability, price, shipping terms and any active offer before you decide.
See current NothingProjector offerMerchant policies to verify before purchase
As of September 16, 2026, NothingProjector's product page advertises a 45-day price-match policy, 30-day money-back guarantee, one-year warranty and lifetime technical support. Policy wording, region eligibility and return costs can change, so verify the current terms on the merchant page before ordering.
Frequently asked questions
Is it only for UST?
No. The listing says long-, short- and ultra-short-throw projectors are supported.
Is it ALR?
No. This product is a matte-white PVC screen. That is a different category from lenticular ALR/CLR materials.
What are the size choices?
The current listing shows 100″ and 120″.
Does it work with Alexa or Google Assistant?
Both are listed by the merchant, along with wireless remote control and USB-trigger synchronization.
